Charles Clough

BORN
1951, Buffalo, N.Y.

EDUCATION
New York University, Information Technologies Institute 1997-98
State University of New York at Buffalo, Center for Media Studies 1973-74
Ontario College of Art, Toronto 1971-72
Pratt Institute, Brooklyn 1969-70

FELLOWSHIPS AND COMMISSIONS
2007 Gesai Fellow
1993 Mural Commission, SONY Corporation of America, San Jose, Ca.
1992 Arena Painting at Artpark, Lewiston, N.Y.
1989 Painting Fellowship, National Endowment for the Arts
1985 Video Commission, MTV
1984 Mural Commission, Niagara Frontier Transportation Authority, Buffalo, N.Y.
1983 Graphic Artists Fellowship, CAPS, NYS Council on the Arts
1982 Painting Fellowship, National Endowment for the Arts

TEACHING
2008 Rhode Island Schoolof Design, Providence, R.I.
2001 Columbia University, New York, N.Y.

SOLO EXHIBITIONS
2007 Lido Mochetti, Westerly, R.I.
.........Norwich Arts Council, Norwich, CT.
2005 Revival House, Westerly, R.I.
2004 Cutchogue Library, Cutchogue, N.Y.
2003 Newport Art Museum, Newport, R.I.
2002 Nina Freudenheim Gallery, Buffalo, N.Y.
.........Von Lintel Gallery, New York, N.Y.
.........Hoxie Gallery, Westerly Public Library, Westerly, R.I.
2000 Galerie Liesbeth Lips, Rotterdam, The Netherlands
1999 Meibohm Fine Arts, East Aurora, N.Y.
1998 Tricia Collins Contemporary Art, New York, N.Y.
.........Galerie Liesbeth Lips, Rotterdam, The Netherlands
1996 Tricia Collins Contemporary Art, New York N.Y.
.........Albertson-Peterson Gallery, Winter Park, Fla.
1995 Castellani Art Museum, Niagara University, Niagara Falls, N.Y.
1994 The Brooklyn Museum, Brooklyn, N.Y.
.........Tricia Collins Contemporary Art, New York, N.Y.
.........Galerie Liesbeth Lips, Breda, The Netherlands
1993 Grand Salon, New York, N.Y.
1992 Castellani Art Museum, Niagara University, Niagara Falls, N.Y.
.........Country Store, Old Chatham, N.Y.
1991 Roland Gibson Gallery, SUNY Potsdam, NY
.........Michael C. Rockefeller Gallery, SUNY Fredonia, NY
.........Hallwalls, Buffalo, N.Y.
.........Burchfield Art Center, Buffalo, N.Y.
.........Nina Freudenheim Gallery, Buffalo, N.Y.
.........Barbara Gillman Gallery, Miami, Fla.
1990 American Fine Arts Co. , New York, N.Y.
.........Scott Hanson Gallery, New York, N.Y.
1988 Nina Freudenheim Gallery, Buffalo, N.Y.
.........Galerie Liesbeth Lips, Amsterdam, The Netherlands
.........East Aurora Public Library, East Aurora, N.Y.
.........Scott Hanson Gallery, New York, N.Y.
1987 American Fine Arts Co., New York, N.Y.
.........Carl Solway Gallery, Cincinnati, O.
1986 The Patterson Library and Art Gallery, Westfield, N.Y.
.........Galleria Peccolo, Livorno, Italy
.........Harris, Samuel and Company, Miami, Fla.
1985 The Brooklyn Museum, Brooklyn, New York
.........Real Art Ways, Hartford, Ct.
.........Nina Freudenheim Gallery, Buffalo, N.Y.
.........Galerie Liesbeth Lips, Amsterdam, NL
.........Jack Tilton Gallery, New York, N.Y.
1984 University of Southern California, Los Angeles
.........Pam Adler Gallery, New York, N.Y.
.........Karen Lenox Gallery, Chicago, Ill.
.........Galerie Liesbeth Lips, Delft, The Netherlands
1983 Albright-Knox Art Gallery, Buffalo, N.Y
.........Burchfield Art Center, Buffalo, N.Y.
.........Linda Farris Gallery, Seattle, Wa.
1982 Pam Adler Gallery, New York, N.Y..
1981 Linda Farris Gallery, Seattle, Wa.
.........Piu due Cannaviello, Milan, Italy
.........Galleria N’apolitana delle Arti, Naples, Italy
1980 Pam Adler Gallery, New York, N.Y.
.........Linda Farris Gallery, Seattle, Wa.
1979 CEPA Gallery, Buffalo, N.Y.
1978 Artlink, Fort Wayne, Ind.
1977 Gallery 219, SUNY at Buffalo
1976 Hallwalls, Buffalo, N.Y.
1975 Gallery 219, SUNY at Buffalo
1974 Gallery 219, SUNY at Buffalo
1973 Gallery 219, SUNY at Buffalo

TWO PERSON EXHIBITION
1987-88 New Paintings by Charles Clough and Mimi Thompson, the New Museum, New York, N.Y.

GROUP EXHIBITIONS
2009 The Pictures Generation, Metropolitan Museum of Art, New York, N.Y.
2008 Transmutation, Westerly Land Trust, Westerly, R.I.
.........A Collage Survey: Collected Works, Anderson Gallery, SUNY at Buffalo
2007 Surface Matter: Collage from the Collection, Albright-Knox Art Gallery, Buffalo, N.Y.
2006 Abexbox, Chashama, New York, N.Y.
2005 Salon des Independents, Hygienic Art Galleries, New London, Ct.
2004 Wet & Fresh, A Survey of Current Watercolor in Western New York, Burchfield-Penney Art Center, .........
.........Buffalo State College
2003 New York Scene, Galerie Liesbeth Lips, Rotterdam, NL
2002 Artist’s Books and Art of Paper, Burchfield-Penney Art Center, Buffalo State College
.........Second Look, Burchfield-Penney Art Center, Buffalo State College
.........Art on Paper, Albright-Knox Art Gallery, Buffalo, N.Y.
2001 Benefit Exhibition, White Columns, New York, N.Y.
.........Faculty Exhibition, Leroy Neiman Gallery, Columbia University, New York, NY
2000 Drawings and Photographs, Matthew Marks Gallery, New York, N.Y.
.........Summer Group Show, Tricia Collins Contemporary Art, New York, N.Y.
1999 Head to Toe: Impressing the Body, University Gallery, University of Massachusetts, Amherst
.........Inaugural Exhibition, Fuoco Arte Contemporanea, Orvieto, Italy
1998 The Choice, Exit Art/The First World, New York, N.Y.
.........The Agency of Meaning, Burchfield-Penney Art Center, Buffalo, N.Y.
.........Black and Blue, Tricia Collins Contemporary Art, New York, N.Y.
.........Over the Mantle, Over the Couch, Tricia Collins Contemporary Art, New York
1997 Abtract Painting, Carrie Haddad Gallery, Hudson, N.Y.
.........Conversion, Tricia Collins Contemporary Art, New York, N.Y.
1996 Reconditioned Abstraction, Forum for Contemporary Art, St. Louis, Missouri
.........Collector’Choice A State of Collecting, Orlando Museum of Art, Orlando, Florida
.........Artist’s Toys, the Burchfield-Penney Art Center, Buffalo State College
.........Gallery Group, Galerie Liesbeth Lips, Rotterdam, Netherlands
1995 Alternatives: 20 Years of Hallwalls Contemporary Arts Center,1975-95, the Burchfield-Penney Art Center, .........Buffalo State College
.........Human/Nature, the New Museum, New York, N.Y.
.........A, Working Title, E-Space, Los Angeles, Ca.
.........Invitational, Anita Shapolsky Gallery, New York, N.Y.
.........Paint, Deep Space, New York, N.Y.
.........Doggie Style, Rick Prol Studio, New York, N.Y.
1994 Across the Trees and Into the Woods (A Sculpture Show), The Rushmore Festival,Woodbury, New York, .........curated and catalog essay by Collins & Milazzo
.........Recent Acquisitions, The Burchfield-Penney Art Center, Buffalo State College
.........Small Paintings, Bill Maynes Gallery, New York, N.Y.
.........Invitational, Anita Shapolsky Gallery, New York, N.Y.
.........American Drawing Today, curated by Phillipe Briet, Ecoles des Beaux Arts of Lorent, Rennes et Quimpec, .........Brittany, France
.........Hallwalls Twentieth Anniversary Benefit, Hallwalls, Buffalo, N.Y
.........Drawing Together, Nina Freudenheim Gallery, Buffalo, N.Y.
.........X-Sightings, David Anderson Gallery, Buffalo, N.Y.
.........The First Fundraising Event to Benefit American Fine Arts, Co., American Fine Arts Co. New York, N.Y.
1993 Elvis Has Left the Building, curated and catalog essay by Collins & Milazzo, Sandro Chia Studio,
........ New York, N.Y.
.........New Abstraction, Robert Leitti Arte Contemporanea, Como, Italy
.........Sailing to Byzantium with Disenchantment, curated by Ellio Cappucio,Sergio Tossi Gallery, Prato, Italy
.........The New Museum Benefit, The New Museum, New York, N.Y.
.........White Columns Benefit, White Columns, New York, N.Y.
1992 Thirtieth Anniversary Exhibition, Carl Solway Gallery, Cincinnati Oh.
.........One Day of Painting, American Fine Art Co., New York, N.Y.
.........The New Museum Benefit, The New Museum, New York, N.Y.
.........WFMU Benefit, Germans Van Eck Gallery, New York, N.Y.
1991 Who Framed Modern Art or the Quantitative Life of Roger Rabbit, curated and catalog by
........ Collins & Milazzo, Sidney Janis Gallery, New York, N.Y.,
.........Outside America: Going Into the 90s, curated and catalog essay by Collins & Milazzo,Fay Gold Gallery, .........Atlanta, Ga.
.........The Bibliophile’s Cabinet, curated by Alan Jones, Paul Kasmin Gallery, New York,
.........The Big Picture: Recent Large Scale Painting, curated by Kip Eagan,Museum of Art, Palm Beach, Fla.
.........Invitational, Tony Shafrazi Gallery, New York, N.Y.
1990 All Quiet on the Western Front, curated and catalog by Antoine Candau and Gerard Delsol, Espace Dieu, .........Paris, France
.........Clyfford Still, A Dialogue, Philippe Briet Gallery, New York, N.Y.
1989 Charles Clough, Jack Goldstein, Walter Robinson; Scott Hanson Gallery, New York
.........The New Museum Benefit, The New Museum, New York, N.Y.
.........White Columns Benefit, White Columns, New York, N.Y.
.........Jayne H. Baum Gallery, New York, N.Y.
.........Los Angeles Art Fair, Los Angeles, Ca.
1988 Art at the End of the Social,, curated by Collins & Milazzo, Frederick Roos Museum, Malmo, Sweden
.........Selections from the Dorothy and Herbert Vogel Collection, Arnot Museum, Elmira, New York; Grand .........Rapids Art Museum, Grand Rapids,Mi.; Terra Museum, Chicago, Ill.;Laumiere Sculpture Park, St. Louis, .........Mo.; Art Museum of Florida International University, Miami, Florida
.........Twelve from New York, Recent Aquisitions for the Nordstern Collection,The Grey Art Gallery, New York .........University, New York, N.Y.
.........Collage, curated by Nancy Weekly, The Burchfield Center, Buffalo, N.Y.
1987 Art of Our Time, The Dayton Art Institute, Dayton, Oh.
.........The Wayward Muse, A Historical Survey of Painting in Buffalo, Albright-Knox Art Gallery, Buffalo, N.Y
.........New York Scene, Galerie Liesbeth Lips, Amsterdam, The Netherlands
.........P.S. 3 Benefit, P.S.3, New York, N.Y
.........From the Collection, The Burchfield Art Center, Buffalo, N.Y
.........The Inspiration Comes From Nature, Jack Tilton Gallery, New York, N.Y.
.........Painted Pictures, curated by Andy Grundberg, Midtown Art Center,Houston, Tx.
.........Ex Photo, curated by Ann Rosen, The Pyramid Club, New York, N.Y.
.........Over and Above, curated by Paul Laster and Renee Ricardo, Pictogram Gallery, New York, N.Y.
.........America, curated by Peter Bach, Albert Totah Gallery, New York, N.Y.
1986 Ultrasurd, Curated by Collins & Milazzo, S.L. Simpson Gallery, Toronto,Canada
.........Artextreme: Philadelphia Inaugural Exhibition, Philadelphia, Pa.
.........Paintings, Galerie Liesbeth Lips, Amsterdam, The Netherlands
.........Gallery Group, Jack Tilton Gallery, New York, N.Y.
.........Clough, Hopkins, Robinson, Schott and Wachtel, curated by ColinDeLand,
.........American Fine Art Co., New York, N.Y
1985 A Summer Selection, Leo Castelli Gallery, New York, N.Y.
.........Niagara Falls: New Impressions, The Burchfield Art Center, Buffalo, N.Y.
.........Homage to the American Elm, Gallery 53, Cooperstown, N.Y.
.........An Affair of the Heart, Albright-Knox Art Gallery, Buffalo, N.Y.
.........20/20, B.K. Smith Gallery, Lake Erie College, Painesville, Oh.
.........Painting 1985, Pam Adler Gallery, New York, N.Y.
.........Gallery Group, Jack Tilton Gallery, New York, N.Y.
.........Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, N.Y.
.........Chicago Art Fair, Chicago, Ill.
.........Basel Art Fair, Basel, Switzerland
.........Madrid Art Fair, Madrid, Spain
1984 Painters and Photography/ Photographers and Painting, Thorpe Intermedia Gallery,Sparkill, N.Y.
.........8 in ‘84, Benefit exhibition, Ronald Feldman Gallery, New York, N.Y.
.........CAPS Graphics Traveling Exhibition, Fashion Institute of Technology, New York, N.Y., Kirkland Art .........Center, Clinton, N.Y.
.........Art on Paper, Weatherspoon Museum, Greensboro, N.C.
1983 CAPS Graphics Traveling Exhibition, College of the FingerLakesCanandaigua, N.Y; Marist College
........ Poughkeepsie, N.Y.
.........Gallery Group, Galerie liesbeth Lips, Delft, The Netherlands
.........Art Today, Ward Gallery, Rochester, N.Y.
.........The A-more Store, Jack Tilton Gallery, New York, N.Y.
.........Hundreds of Drawings, The New Gallery of Contemporary Art, Cleveland, O.
.........Three-dimensional Photographs/ Selected Artists, Castelli Graphics, NewYork
.........The Los Angeles New York Exchange, LACE, Los Angeles, Ca.
.........Selections, Karen Lenox Gallery, Chicago, Ill.
1982 The Americans: The Collage, Museum of Contemporary Art, Houston, Tx.
.........Partitions, Pratt Manhattan Center, New York, N.Y.; Pratt InstituteGallery, Brooklyn,N.Y.
.........20th Anniversary Exhibition of the Vogel Collection, Brainerd ArtCenter,Potsdam, N.Y.
.........Art on Paper, Weatherspoon Gallery, Greensboro, N.C.
.........Invitational, Nina Freudenheim Gallery, Buffalo, N.Y.
.........Gallery Group, Pam Adler Gallery, New York, N.Y.
.........Upstate Landscape, Gallery 53, Cooperstown, N.Y.
.........Commodities Corporation Collection, Museum of Art, Fort lauderdale, Fla.; OklahomaMuseum of Art, .........Oklahoma City, Ok.; Santa Barbara Museum, Santa Barbara, Ca.;Grand Rapids Art Museum, Grand
........ Rapids, Mi.; Madison Art Center, Madison, Ws.; Montgomery Museum of Fine Arts, Montgomery, Al.
.........Analaga, Chromo-Zone, Toronto, Canada
.........Great Big Drawings, Hayden Gallery, M.I.T., Boston, Ma.
.........New Directions: New York and Toronto, Toronto International Art Fair, Canada
.........Gallery Group, Pam Adler Gallery,
........ Painting Show, Linda Farris Gallery, Seattle, Wa.
.........Abstraction, an American Tradition, Henry Gallery, University of Washington, Seattle,Wa.
.........Thirty-five Artists Return to Artists Space, Artists Space, New York, N.Y.
.........1980 Gallery Group, Pam Adler Gallery, New York, N.Y.
.........The Painterly Photograph, Washington Project for the Arts, Washington,
.........Media Studies Inc., Buffalo, New York, N.Y.
.........7 Young Americans, Sidney Janis Gallery, New York, N.Y.
.........Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis,Ind.
.........With Paper About Paper, curated by Charlotta Kotik, Albright-Knox Art Gallery, Buffalo, N.Y.; Museum .........of Fine Arts, Springfield, Ma.
.........Genius Loci, curated by Achille Bonito Oliva, Acireale and Ferrara, Italy
.........Pam Adler Gallery Artists, Dade County Community College, Miami, Fla.
1979 Invitiational, Pam Adler Gallery, New York, N.Y.
.........Hallwalls, Five Years: A Traveling Exhibition, Upton Gallery, SUNY at Buffalo, N.Y.;
.........A-Space, Toronto, Canada; Parsons Gallery, The New Museum, New York, N.Y.
.........Six Artists Under Thirty, curated by Dr. Edna Lindemann, The Burchfield Art Center,Buffalo, N.Y.
1978 37th Annual Western New York Exhibition, Albright-Knox Art Gallery, Buffalo, N.Y.
.........Traditions/ Five Painters, curated by Linda Cathcart, Artists Space, New York, N.Y.
.........Buffalo-Chicago-Exchango, N.A.M.E. Gallery, Chicago, Ill.
1977 New Art Auction and Exhibition, Artists Space, New York, N.Y.
.........In Western New York, Albright-Knox Art Gallery, Buffalo, New York, N.Y.
1976 Begegnung mit Buffalo, Auslands Institute, Dortmund, West Germany
.........Hallwalls Group Show, Artists Space, New York, N.Y.

PUBLIC AND CORPORATE COLLECTIONS
Albright-Knox Art Gallery, Buffalo, N.Y.
Bank of America, San Francisco, CA.
Blanton Museum of Art, Austin, TX.
The Brooklyn Museum of Art, Brooklyn, N.Y.
Batus Inc. New York, N.Y.
Boca Raton Museum of Art, Boca Raton, Fl.
Burchfield-Penney Art Center, Buffalo State College, Buffalo, N.Y.
Castellani Art Museum, Niagara University, Niagara Falls, N.Y.
Chase Manhattan Bank, New York, N.Y.
Citibank, New York, N.Y.
Commodities Corporation, Princeton, N.J.
Contemporary Art Museum, University of South Florida, Tampa, FL.
Dayton Art Institute, Dayton, O.
Delaware Art Museum, Wilmington, DE.
Eastman House, Rochester, N.Y.
Everson Museum, Syracuse, N.Y.
Hecht, Higgins & Peterson, New York, N.Y.
Hood Museum of Art, Dartmouth College, Hanover, N.H.
Hyde Collection, Glens Falls, N.Y.
Fogg Art Museum, Harvard University, Boston, MA.
Indianapolis Museum of Art, Indianapolis, Ind.
Marine Midland Bank, Buffalo, N.Y.
M& Co. New York, N.Y.
Montclair Museum of Art, Montclair, N.J.
Museum of Contemporary Art, Los Angeles, CA.
Museum of Modern Art, New York (Franklin Furnace Artists' Book Collection)
National Gallery of Art, Washington, D.C.
New Orleans Museum of Art, New Orleans, LA.
Owens Corning Fiberglass, Toledo, O.
Perkins, Coie, Seattle, Wa.
Physio-Control, Seattle, Wa.
Prudential Insurance, Newark, N.J.
Rich Products, Buffalo, N.Y.
Seattle First National Bank, Seattle, Wa.
Security Pacific Bank, Seattle, Wa.
Smith College Museum of Art, Northampton, Mass.
Smithsonian Museum of American Art, Washington, D.C.
Southeast Bank, Miami, Fl.
Speed Museum of Art, Louisville, KY.
Standard Federal Bank, Troy, Mi.
University of Southern Florida, Tampa, Fl.

PUBLICATIONS BY THE ARTIST
-Robert Burke, Catalog essay, 1994, Grand Salon, New York
-Surface Verses Probe, Selected Studio Notes, 1993, C.C. Studio, New York, 124 pages
-For C. Taylor Kew, F.N. Burt Company Bulletin, Fall, 1992 (Buffalo, N.Y.)
-Where the Meaning Begins, panel discussion on abstraction moderated by Charles Clough, with: Leonard Bullock, Cora Cohen, Ron Gorchov, Richard Hennessy, Lucio Pozzi, Jeffrey Wasserman and John Zinsser, Tema Celeste, Syracusa, Italy, no. 35, April-May 1991
-Alternative to Nothingness, An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns, New York, edited by Collins & Milazzo, 1991
-What’s Wrong With This Picture?, Cover Magazine, No. 6, Spring 1982, New York, N.Y.

PUBLICATIONSABOUT THE ARTIST
(Catalogs)
-All Quiet on the Western Front, Antoine Candau and Gerard Delsol, Espace Dieu, Paris Fance, 1990
-The Americans: The Collage, Linda Cathcart, Contemporary Art Museum, Houston, Tx. 1982
-Art at the End of the Social, Collins & Milazzo, Frederick Roos Museum, Malmo, Sweden, 1988
-Art on Paper...Since 1980, Gilbert F. Carpenter, Weatherspoon Art Museum Greensboro, N.C., 1982
-Charles Clough: More is Never Enough, Charles A. Riley II, Grand Salon, New York, N.Y., 1998
-Charles Clough: Paintings 1994, Charles A. Riley II, Grand Salon, New York, N.Y., 1994
-Charles Clough: Ptg. 1993, edited by Mary Haus, Grand Salon, New York, N.Y., 1993
-Charles Clough: The Vision Thing, Bill Maynes, The Country Store, Old Chatham, N.Y., 1992
-Charles Clough: Redemptive Play, Carter Ratcliff, Roland Gibson Gallery, SUNY Potsdam, New York, 1991
-Charles Clough: Hot Paint and the Cold Shoulder, Collins & Milazzo, Scott Hanson Gallery, New York, N.Y., 1990
-Charles Clough, Alan Jones, Roberto Peccolo Gallery, Livorno, Italy, 1986
-Clough, Linda Cathcart and Charlotta Kotik, Albright-Knox Art Gallery and Burchfield Art Center,Buffalo, N.Y., 1983
-Commodities Corporation Collection, Sam Hunter, Princeton, N.J. 1982
-Genius Loci, Achille Bonito Oliva, XIV Rassegna Internationale d’Arts Acireale Turistico-Termale, Palazzo di Citta, Acireale, Italy, 1980
-Great Big Drawings, Katy Kline, Hayden Gallery, Massachusetts Institute of Technology, Boston, Ma., 1982
-Hallwalls: Five Years, A Traveling Exhibition, Marcia Tucker and Roger Denson, The New Museum, New York, N.Y., 1979
-New Directions: New York and Toronto, David Burnett, Toronto International Art Fair, Toronto, Canada, 1981
-Outside America: Going Into the 90s, Collins & Milazzo, Fay Gold Gallery, Atlanta, Ga., 1991
-Painting and Sculpture Today 1980, Indianapolis Museum of Art, Indianapolis, Ind.
-The Painterly Photograph, Anthony Bannon, Washington Project for the Arts, Washington, D.C. 1980
-Partitions, Ellen Schwartz and John Perrault, Pratt Manhattan Center, New York, N.Y., 1982
-Six Artists Under Thirty, Dr. Edna Lindemann, The Burchfield Art Center, Buffalo State College, 1980
-The Standard Federal Bank Art Collection, Troy, Mi., 1992
-35 Artists Return to Artists Space, William Zimmer, Artists Space, New York, N.Y., 1981
-Traditions/Five Painters, Linda Cathcart, Artists Space, New York, N.Y. 1980
-20th Anniversary Exhibition of the Vogel Collection, Georgia Coopersmith, SUNY Potsdam, 1982
-Ultrasurd, Collins & Milazzo, S.L. Simpson Gallery, Toronto, Canada,
-The Wayward Muse: A Historical Survey of Painting in Buffalo, Susan Krane, Albright-Knox Art Gallery, Buffalo, N.Y. 1987
-Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Collins & Milazzo,
Sidney Janis Gallery, New York, N.Y. 1991

(ARTICLES)
Bannon, Anthony, The Art of Charles Clough Makes Old Masters New, Buffalo News, April 15, 1983
Brenson, Michael, Review: Charles Clough, The New York Times, December 27, 1985, p.c26
Butera, Virginia, Review: Charles Clough, Artsmagazine, New York, April 1982
Cameron, Dan, The Groundhog Report, Artsmagazine, New York, February, 1985, p.96
Cohen, Ronnie, Review: Charles Clough, Art News, New York, May, 1983
Collins (Tricia) & Milazzo (Richard), Tropical Codes, Kunstforum, Cologne, Germany, December 1987- January 1988
— Three New Artists, Bottom Line, New York, December 15, 1989
— Hyperframes, Editions Antoine Candau, Paris, France, Volumes I & II, 1989-90
Cotter, Holland, Review: Charles Clough, Art in America, June 1988
—Review: Clough, Goldstein, Robinson, Tema Celeste, Syracusa, Italy, October-December 1989
Cox, Meg, Postal Clerk and Wife Amass Art Collection in New York Flat,, The Wall Street Journal, January 30, 1986, p.1
Cyphers, Peggy, Review: Clough, Goldstein, Robinson, Artsmagazine, New York, October 1989
Denson, Roger, Charles Clough, Tema Celeste, Syracusa, Italy, May-June 1991
Donovan, Pat, Clough’s ‘Big Finger’ Points to Influence of Old Masters, Business First Magazine, Buffalo, May 13, 1985
Drohojowska, Hunter, The L.A./N.Y. Cultural Exchange, L.A. Weekly, July 1-7, 1983
Foster, Hal, New Abstract Painting,, Art in America, May, 1986
Galuszka, Frank, Abstract Painting and Cybernetics, Carrie Haddad Gallery, September 1997
Glueck, Grace, The Screen Comes Into Its Own,The New York Times, September 19, 1982
Gross, Jonathan, Breaking, MTV Style, American Film Magazine, May 1986
Hanson, Bernard, Art Review, The Hartford Courant, December, 1986, p. G6
Harkavy, Donna, Charles Clough, Artsmagazine, February, 1982
Haus, Mary, “Big Fingers” at the Paint-in, Art News, January, 1993
Henry, Max, “Review: Charles Clough” www. artnet.com, February 2, 1999
Huntington, Richard, Clough’s abstractions are refreshingly direct, Buffalo News, March 4, 1988
—Charles Clough, thinking big in public, Buffalo News, June 14, 1992
—,Big fun in the artworld, Buffalo News, August 14, 1992
Johnson, Ken, Calendar, New York Times, November 6, 1998
—, Calendar, New York Times, June 24, 1998
Jones, Alan, Art Breaks, The MTV Collection, NY Talk, November, 1985, p. 61
—,Charlie Clough, The Fine Art of Finger Painting, NY Talk, November 1985, p. 61
Kimmelman, Michael, Art in Review: The Choice, New York Times, December 18, 1998
Knight, Christopher, Los Angeles-New York Exchange Leaves Us With a Trade Deficit, L.A. Herald Examiner, June 26, 1983
Korotkin, Joyce, Charles Clough: Review, M The New York Art World, September 2002
Kotik, Charlotta, Grand Lobby Installation by Charles Clough,, Bulletin of The Brooklyn Museum, December, 1985, p. 3
Licata, Elizabeth, Charles Clough’s Dreampix, Art in America, July, 1992
Linker, Kate, Charles Clough at Pam Adler, Artforum, April, 1984
Madoff, Steven Henry, What is Postmodern About Painting: The Scandanavian Lectures,, Artsmagazine, September, 1985, p. 116
Munchnic, Suzanne, Same Old Statements fronm 6 New York Artists, L.A. Times, June 27, 1983
Olander, William, Two Painters: Charles Clough and Mimi Thompson, On View at the New
Museum, (Bulletin), November 27, 1987
Patton, Phil, The Art Comeback, New York Magazine, April 21, 1986
Picot, Pierre, Righteous Intentions, Artweek, July 2, 1983, p. 56
Ratcliff, Carter, The Short Life of the Sincere Stroke,, Art in America, January, 1983
—,Contemporary American Art, Flash Art, Summer 1982
Robinson, Walter, 1985 Review: Public Art, Art in America Annual, 1986-87, p. 42
Shapiro, Harriet, Using Modest Means the Vogels Build a Major Collection, People Magazine, September 8, 1986
Smith, Roberta, Surface Effects, Village Voice, January 31, 1984
—, Intermural Painting, Village Voice, February, 23, 1982
—, Review:, Clyfford Still: A Dialogue, New York Times, October 26, 1990
Sturman, John, Review: Over and Above, Art News, May 1986, p. 138
Tatransky, Valentin, Charles Clough, Artsmagazine, April, 1984
Taylor, Paul, A New Avenue for Art...Madison, Vogue, February, 1986, p. 80
Tully, Judd, Review: Charles Clough, Artworld (New York), March, 1983
Turner, Elisa,At the Galleries, The Miami Herald, October 23, 1986
Upshaw, Reagan, Charles Clough at Pam Adler, Art in America, September, 1982
Westfall, Stephan, Review: Charles Clough, Artsmagazine, March, 1986
Woodward, Richard B. A Museum Grows in Brooklyn, Art News, September, 1986, p. 79

LECTURES
The Newport Art Museum, Newport, R.I., March 16, 2003
The Westerly Public Library, Westerly, R.I., September 21, 2002 and March 30, 2008
The Burchfield-Penney Art Center, October 12, 2002; October 17, 1999
Worcester State College, Worcester, Massachusetts, April 21, 1999
Webster University, St. Louis, Missouri, November 15, 1996
The Brooklyn Museum, Brooklyn, N.Y., April 10, 1994
Castellani Art Museum, Niagara University, Niagara Falls, N.Y., April 9, 1992
SUNY Potsdam, October 7, 1991. SUNY Fredonia, April 8, 1991
Albright-Knox Art Gallery, Buffalo, N.Y.,October 5, 1986
University of Hartford, January 28, 1986
Arnot Museum, Elmira, N.Y. October 4, 1986
The Brooklyn Museum, Brooklyn N.Y., March 22, 1986
University of Southern California, Los Angeles, Ca. February 12, 1985
The Wadsworth Athenaeum, Hartford, Ct., November 4, 1985
C.W. Post University, Greenvale, N.Y., May 19, 1984
Yale University, New Haven, Ct., September 22, 1984
SUNY Buffalo, November 4, 1983
Buffalo State College, December 2, 1983
The Burchfield Art Center, Buffalo, N.Y. February 12, 1983
The Funnel, Toronto, Canada, April 4, 1982
And/or, Seattle, Wa., June 18, 1980
California Institute for the Arts, Valencia, Ca., October 15, 1979
Minneapolis College of Art and Design, May 10, 1977

BROADCAST
60 Minutes, CBS, January 8, 1995
CBS Sunday Morning, CBS, May 10, 1987
All Things Considered, National Public Radio, October 24, 1986
Andy Warhol’s Fifteen Minutes, MTV, October 20, 1985